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A dramatic exploration of the immigrant experience in today's America, told through monologues, poetry and song. Thursday preview , 8 p. Friday and Saturday, 3 p. Ken Ludwig, the author of "Lend Me A Tenor," returns with another brilliant piece set in the world of opera.

An uproarious ride, full of mistaken identities, bedroom hijinks, and madcap delight. Seuss' How the Grinch Stole Christmas!

The Musical, " Proctors, State St. Grinch" and "Welcome Christmas" from the original animated special.

ALICE IN WONDERLAND - "Off With His Head" Clip - Official Disney UK

Max the Dog narrates as the mean and scheming Grinch, whose heart is "two sizes too small," decides to steal Christmas away from the Holiday loving Whos. Friday and Saturday, 2 p. Buddy, a young orphan, mistakenly crawls into Santa's bag of gifts and is transported to the North Pole. The would-be elf is raised, unaware that he is actually a human, until his enormous size and poor toy-making abilities cause him to face the truth. With Santa's permission, Buddy embarks on a journey to New York City to find his birth father and discover his true identity. Faced with the harsh reality that his father is on the naughty list and that his half-brother doesn't even believe in Santa, Buddy is determined to win over his new family and help New York remember the true meaning of Christmas.

Friday and Saturday; 2 p. The annual panto from the Pantoloons takes on the classic fairy tale. Presented by the Highlight Acting Troupe. Thursday, 8 p. Friday, 3 and 8 p. Sunday, p. Tuesday and Wednesday. Lauren Gunderson and Margot Melcon's sequel to Jane Austen's "Pride and Prejudice" finds that novel's Mary Bennet growing tired of her role as dutiful middle sister in the face of her siblings' romantic escapades, and when the family visits for Christmas an unexpected guest sparks her hopes for independence and possibly even love.

Michael Weller's play chronicles a year in the life of the characters referred to in the title: eight college students living communally in an off-campus attic in the mids. Thursday and Friday, p. Sunday, 10 a. Join Gerda on a dangerous and whimsical quest to save her best friend Kai before he is trapped forever in the Snow Queen's palace. Dare to enter a world where flowers sing, animals talk, and riddles yearn to be solved. Thursday-Saturday, 2 p.

On his wedding day, the young Scotsman James is awakened with a kiss from an ethereal winged creature, a sylph. Entranced by her beauty, James risks everything to pursue an unattainable love. One of the world's oldest surviving ballets.

happy, joyous & free | John Bennett | Wie das Leben

A double-bill of martial arts movies. Inspired by heroic stories of brave knights, with his faithful servant Sancho Panza at his side, Don Quixote sets out on an adventure to meet his ideal woman, Dulcinea. With panache and sparkling technique, principal dancers Ekaterina Krysanova and Semyon Chudin lead the spectacular cast of toreadors, flamenco dancers, gypsies and dryads in the Bolshoi's critically-acclaimed staging of this exalted performance.

A double-bill of s exploitation films. One day, his friend and fellow pimp Queen Bee helps him get out of jail, and plots with him to get revenge on Green. Noon and 7 p. Free and open to the public. In celebration of the th anniversary of Swedish director Ingmar Bergman's birth, his film "The Best Intentions" will be screened.

It Can't Happen Here

Battling against a changing economy, the digital world, and a con man who tries to steal Christmas, the dreamers in one small town vow to keep the park open and the magic of Christmas alive all year. A work-in-progress screening of Mariam Ghani's feature film, based on the history of the Afghan Film Archive the state film institute based in Kabul, Afghanistan , it reconstructs hidden and parallel narratives of both state propaganda and the experience of the Afghan Film Archive's management and film directors during the period of Afghan communism.

Following the screening, Ghani and the film's composer Qasim Naqvi will discuss the relationship between sound and image in the film. Thursday; p. Friday; 7 and p. Saturday; 7 p. Stand-up comedy. Kevin Downey Jr. Friday and Saturday.

The YouTube comedian performs a one-woman show about motherhood. Jay St.

Ihre Vorteile

A fully improvised musical experience inspired by the audience. It is largely the audio-visual component that bolsters the show, which is somewhat disappointing for a dance work. The costumes, neutral coloured dresses swathed in strips of fabric, are designed by Rona Ngahuia Osborne and create beautiful, hypnotic silhouettes as the dancers leap and twirl fervently.

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The lighting is shadowy and dark, which works with the dreamlike ambiance but does make it challenging for audiences to really catch every moment on stage. In contrast, Mozart's Piano Concerto No.

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Its markedly different tone, style, and melodious character served to accentuate the variety in this programme. A striking arrangement on stage signalled another change of direction: strings only, separated by the double basses into two equal groups, facing each other, as required by the composer to represent a traditional tango orchestra.

The stage was set for the tension and drama of stringed combat followed by peace and gentle, musical flow in the two movements of Osvaldo Golijov's Last Round. Famous for being thought of as a war symphony written in , Carl Nielsen's Symphony No. Although the sounds of conflict throughout the music ultimately settle and resolve into glorious and very loud melody, we first hear machine guns and the screaming whistle of bombs, before not one but two artillery battles as twin sets of timpani fight it out. Impeccable playing particularly the strings under the direction of the skilful and sensitive Kalmar, and the sheer variety of the programme, made a very memorable performance.

Many of my friends noted that description is somewhat oxymoronic, and I might have agreed with them before seeing the show. Now, I think a dance party is the perfect medium to express the highs and lows of bipolar disorder.

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In both the script and the staging, the gender and sexuality of the characters is irrelevant to the story. While I think works that investigate and actively defy discrimination are vital, I love it when minority characters are approached in a mainstream way. The killer dance moves Marianne Infante and we-might-as-well-be-at-a-rave lighting design Spencer Earwaker up the entertainment ante and plant many a grin on our faces.

We giggle and groove to no end while rooting for the characters, who are so likeable because they are written and performed with genuine, heartfelt conviction. Tekoronga-Waka gives a sensitive yet vibrant portrayal of Anna. One more banging dance number at the very end would send me away on a high, but I respect the poignant, lovely ending as it stands. This beautifully balanced production leaves me with plenty to think and smile about. As they learned more and more local legends in every town they visited, strange and stranger occurrences started paranormally plaguing them. Inspired and a little spooked, the couple set about creating The Dunstan Creek Haunting.

In this Circa One show, Ladderman and Tollemache relay the tales that peppered and salt circled their travels. Particular emphasis is placed on the legend of Rose, the prim and proper proprietor of the Vulcan Hotel in Saint Bathans. Rose met an untimely death and is said to haunt room one of the hotel today. Individually, they both posses a warm and rich stage presence. The energy is contagious as terrified giggles and giddy screams resonate through the pitch-black theatre.

The Dunstan Creek Haunting is a perfectly bite-sized thriller, with the suspense building to boiling point in 70 minutes.

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The concert began with two New Zealand pieces, one for choir and orchestra, one for choir alone. Both the other works were seldom performed compositions, one by Sibelius for orchestra alone, the other by Elgar for choir and orchestra.